Thursday, 26 April 2012

Up In Smoke: Factual Story Exercise

The sun. The warmth. The wide-open land; there was nobody for miles in any direction. Sure, it was work but it gave me the time and space to unleash my teenage angst.

Usually I wouldn’t be alone with Bessie. She could be temperamental, and only Dad knew how to set her straight. But he had to help with deliveries back the shed. So, it was just Bessie and I ploughing, fertilizing, and contemplating the wonders of the universe. But as the thermometer hit 45 degrees and kept climbing, she threw in the towel. Her steering was jammed. After exhausting attempts to fix it from my seat, I had no other choice but to crawl under her one tonne body to investigate.

A few taps and knocks, “And there, that should be fixed”. I shuffled backwards on my stomach, like a lizard in reverse. But her rusted chassis gave way and broke in half, falling onto my back. My face dove into the ground, mouth open and all. Fresh fertiliser. Without the support, all four wheels caved inwards. They somehow managed to find balance, but only after I felt the weight of Bessie upon my shoulders, literally. She made a deal with the ground and they had me clamped like a vice.  Figuring this may be the only advantage of my lanky, prepubescent body; I breathed in and tried to wriggle free. The weight just came down harder. Not unbearable, just not desirable.

Time passed, but without a reference I had no idea if it was seconds, minutes or hours. My mind grew impatient and starting throwing blows back and forth.
“Don’t panic.”
“Squirm.”
“Someone will be here soon, the delivery should be unpacked by now.”
“They’ll never come.”
“But they said they would…”
“They lied.”

But a noise broke up the fight. Coughing, spluttering, the groan got louder. Damn it. I left the engine running, and Bessie had started to overheat.

Rogue fumes defied the rules of dispersion and made their way under the tractor. They drifted under my nose, around my head and back again. I could feel the fumes slowly squeezing my neck as they circled. I was losing breath, losing consciousness; I had to make one last attempt to escape. But all I manage to do is turn my head the other way. A part of me wish I hadn’t. I could smell it before I could see it. The fallen chassis had punctured the petrol tank. It dripped onto the dry grass and fertiliser below.

The heat from the sun, earth and tractor met. I could see them mingle as the air they inhabited blurred the background. It had me hypnotised, until I saw smoke. Testosterone and adrenaline (neither of which I thought had before) pumped through my body. I broke my chest free from the grip of the chassis. But this isn’t the happily ever after. My sudden movements caused petrol to pour from the leak straight onto a newborn flame.

For the next three hours of my life, I only saw three things.




I wish I had a bit more of an impressive, gory story to tell you. How I could feel the fire consuming me. How the more it ate, the more it grew. I wish I could tell you about the smell of burning flesh. But I can’t, because that’s not what I can remember.

All I could feel was pain. Relieved, in part, when the morphine dripped into my system. All I could see was my body wrapped in bandages. All I could smell was antiseptic wash, and the occasional waft of vomit from the bed beside me.

With 40 per cent of my body in second and third degree burns, I knew I’d have to stay in this place for a while. But after infection, after infection, after infection, it was longer than anyone expected. Six weeks in a room without a window. There was no sun. There was no warmth. There was no space. There was no serenity. But this is now no more than a memory, marked in the scars on my skin.


Picture Credits:  Picture 1    Picture 2    Picture 3

Thursday, 19 April 2012

refLECTURE VII: "Public Boredcasting"

Public service boredcasting broadcasting. It doesn't often get the best wrap. It's often thought that SBS stands as the niche, a service largely for 'ethnics' and other minorities, while the ABC is genuinely comprehensive, mainstream, and national. But the ABC too gets its share of criticism as television made for the middle-aged, middle class man, by the middle-aged, middle-class man. But before I jump the gun any further, lets talk PSB 'generally'.

Australian Public Service Broadcasters

Public media's mission if you choose to accept it is 'to serve or engage a public'. Now that's pretty general. The man behind the mother of all public media (BBC), Lord Reith described PSB as a 'cultural, moral and educational force for the improvement of knowledge, taste, and manners.' But maybe this is an old-fashioned, elitist view. More modern thought sees PSB as democratising, bringing the 'finest' aspects of culture to everyone. Ultimately, in it's creation PSB was designed to play a vital role in informing and enhancing one's ability to engage in citizenship.

Saturday, 14 April 2012

"It's Hard To Have A Gay-Time On Your Own"

The Brisbane Queer Film Festival. Not something on everyones annual event calendar. My self included. To be honest, this year, it's thirteenth year, is the first I've ever heard of it. As someone who prides themselves on their liberal attitude, and open-mindedness, I figured why not?

A little explanation for those who are thinking 'Whaaa?' Well the BQFF, held at the Brisbane Powerhouse (I know, amazing, don't even get me started), shows a selection of Australian and international films about  the LGBT community. Now these are dramas, thrillers, documentaries, shorts, really any genre,. Here's a short to help your imagination:

I figured I'd see an Australian documentary about peoples' experience of trying to be 'cured' of their homosexuality through various religious (Christian) organisations. It's called 'The Cure'. I think the trailer sums it up better than I can.
I don't want to get too deep and meaningful about it here. A powerful message, presented so well. And this is only one of the films. So if you want to open your eyes to a different aspect of the world, check out the BQFF. It runs from now until April 22. Get to it. I guarantee it won't be a drag. (Inappropriate pun?)

Thursday, 12 April 2012

The Hungry Hippos Games

And so I did it. I bought into a franchise. Well, I mean I bought one ticket, once. And in all honesty, it wasn't bad. I should probably stress here that I haven't read the books. The only debrief I had before the film was 'yeah, kids like totes have to kill each other while people watch on TV, and the like last one alive totally wins for their district. It's amazeballs.' Yeah... thanks dude. 
Pretty Self Explanatory
Sure, there were parts missing, as is the case with all book adaptations. (So people tell me, I never read the books) But a stand alone film none the less. The next teen sensation? Equal to, or greater than Twilight? Honestly, I have no idea. I try keep out of all things 'tween'. But what's not debatable is its success.

But like all things media you know you're only a success if you have a parody. But you know you're really successful if that parody's on Saturday Night Live.. with Sofia Vergara. Unfortunately, since we live in Australia, which apparently isn't America, I can't find a video link that works. You'll just have to look at this still and imagine the rest.

Friday, 6 April 2012

refLECTURE VI: "About The Cha-ching, Cha-ching"

Money. If you disregard science, you'd know that it's money that makes the world go round. Well, the world of commercial media is no different. (Hate to break it to you Jessie J, but it is about the 'cha-ching, cha-ching').


Australia, although we pride ourselves on having a dual model of media, public service and commerical, let's be real; we're mostly commercial. We all know the 'big players'. Nine, Seven, Ten, Fairfax, News Limited. And, of course, their many offsprings. And there's ARN, Austereo, Telstra, and Optus too. Gees, any more.




But why do they exist? Essentially to sell us, the audience, to advertisers. Hence their emphasis on mass communication media, because well, it still reaches the masses. Thanks Captain Obvious. Commercial. Commerce. Money. Pretty self explanatory. Commercial media is a business. Like all businesses, it's driven by profit. Without government or license funding it relies on selling advertising to it's audience generated by it's programming.
"advertisers are the real customers of a commercial media organisation, not its readers, viewers or listeners."